Texas Daughters
Advice to a College-Bound Daughter
Betsy Joseph
November 2, 2025
My father, generally a man of many words,
stayed mostly silent while driving north on the interstate
to settle both my belongings and me in my college dorm.
Perhaps his thoughts lingered on his own college migration
over thirty years earlier from a cultural and physical landscape
that no longer served him.
I used the quiet to contemplate my own imagined impressions
of the place I would spend the next four years.
The radio turned low, we bumped our way
through several miles of road work, detours,
listening to the tires spinning down the highway,
getting us closer to our destination.
At last my father broke his silence by clearing his throat.
He glanced sideways at me, then turned his eyes
back to the traffic just ahead.
I angled my face and looked at his profile,
struck by a nervousness that squared his jaw
and tensed his hands at the wheel.
I heard a deep inhalation first,
followed by a tumble of words in the exhalation,
an almost strangled “Honey, I want you to know . . .”
“Know what?”
I wanted to help him, or I thought I did.
“Well, please hear me out. This isn’t easy to say.”
“Ok.” I stared ahead and waited for him to find his words.
“Honey,” clearing his voice again,
“Honey, there are two kinds of girls.”
Then his voice trailed.
“Two kinds of girls . . .” I prompted.
“There are the girls that guys want to get experience with
and there are the girls guys want to respect.”
“And the point of this conversation?” I countered,
no doubt a bit sharply.
“The point,” he continued, “is this”:
“Which kind of girl do you want to be?”
I don’t know if I hated him at that moment
or whether I admired him.
I felt the blood rushing to my face,
hot and embarrassing.
I also considered the courage he had summoned
from within to broach this sensitive topic
with his eighteen-year-old daughter.
I realized fairly quickly that he didn’t expect an answer,
nor did I offer one.
He wanted me to ponder his words,
to put weight into a father’s caution,
a father’s notion of reputation.
Which led me to wonder if his words sprang
from parental responsibility or from territorial concern
for his youngest child and only daughter.
An awkwardness prevailed until we parked
and unloaded all my gear.
Carrying the loads up three flights of stairs
winded us both and left little air for talk.
He noticed various girls in the hallways
dressed less modestly than I
and simply shook his head as only
a befuddled father can, and for the first time
I saw my dad in a different light.
Whereas I had always perceived his confidence,
his signs and show of strength,
I now saw the slackness of vulnerability
in his posture and in his dark brown eyes.
I think he saw time, distance encroaching
and didn’t feel prepared to let go quite yet.
Betsy Joseph lives in Dallas and has poems that have appeared in a number of journals and anthologies. She is the author of two poetry books published by Lamar University Literary Press: Only So Many Autumns (2019) and, most recently, Relatively Speaking (2022), a collaborative collection with her brother, poet Chip Dameron.
She was only six when she learned to fly
Herman Sutter
November 2, 2025
“Daddy look at this,”
she said and ran
straight at the tree
as if she would slam
against it
and I screamed
stop
but she was laughing
and so fast
I could barely think
before
suddenly she is
off the ground
arms outstretched
as if to catch
the air itself
or set it free
when the slap
of landing
startles me
and for an instant
her embrace
of the trunk
is all I see; then
arms and feet scurrying
upward into the green
thick leaves, bending
branches shivering at her touch,
she glides unbearably
high
into the old magnolia
where the sun
gathers gently
glittering with laughter
and her father
stands watching below
knees knocking
and always afraid
of falling
stares astonished
at the wonder
of a daughter
and all the things
he’ll never know.
Herman Sutter (award-winning poet/playwright/essayist) is the author of two chapbooks: Stations (Wiseblood Books), and The World Before Grace (Wings Press), as well as “The Sorrowful Mystery of Racism,” St. Anthony Messenger. His work appears in: The Perch, The Ekphrastic Review, The Langdon Review, Touchstone, The Merton Journal, as well as: Texas Poetry Calendar (2021) & By the Light of a Neon Moon (Madville Press, 2019). His recent manuscript A Theology of Need was long listed for the Sexton prize.
Third Daughter
Milton Jordan
November 2, 2025
Marie Anne set about to round us up
that October she reached sixty, a boomer
born along a river not the Neches;
younger by years than we, born beside
that reluctant red-dirt current, replaced
now by the swift gurgles of the Sabinal
running clear, across a rocky bed,
audible from the west bank back porch
of her birthplace, where we’d moved the summer
after the war began, and she’d married,
birthed our three nieces and now gathered
a widely dispersed crowd of siblings
and significant others to celebrate
the birthday she shared with her youngest.
Milton Jordan lives with Anne in Georgetown, Texas. He co-edited the first Texas Poetry Assignment anthology, Lone Star Poetry, Kallisto Gaia Press, 2022.
Dawdling Toward Eventually
Vincent Hostak
November 2, 2025
for my daughters
She in August, her in June,
they fell into place — late:
the first and last stanzas of Summer.
They were also the hardest to write.
For energies yearning to be born,
they took their own sweet time.
Despite their mother’s urging,
chocolates and late-Spring walks
around a dreary mall’s perimeter
tremors were slow to become earthquakes.
August and June mapped lazy boulevards
dawdling toward Eventually.
When August greets the soccer field, she
persuades a tiny guard to eat clover leaves
and dance with her beside an empty net.
June coddles skeins of handspun wool
steeping in a bath of indigo.
She hangs wet cords to dry, spools more.
They tend gardens of peppers and peonies,
things obeying slower rules of time
as they bend light from green to red.
I have just one lens with which to view them both.
It corrects nothing that I see.
This is as it should be.
I’ve one timepiece to measure their movements.
It runs slow to swift, like them.
They are never late.
Vincent Hostak is a writer and media producer from Texas now living near the Front Range of Colorado south of Denver. His recently published poems are found in the journals Sonder Midwest and the Langdon Review of the Arts in Texas, and as a contributor to the TPA. He writes and produces the podcast: Crossings: the Refugee Experience in America.
Whirligig
Clarence Wolfshohl
November 2, 2025
At five she and I made a paper whirligig
Pinned to a mesquite twig.
It caught the wind
Blown past her as she ran
Down the rockside hill
When I’d come in after work.
I’d catch her wild hugs
Around my neck,
The whirligig propelling in my ear.
She was what we had
Plus the rockside hill.
They moved to another hill
After the wedding,
Fought the droughts,
The windmill turned empty-handed.
But she comes home
Windy days;
Lately brings
Her own with whirligigs.
I can’t catch them up
As strongly.
Weeds too high on the hillside anyway
For those wild hug flights.
The mesquites are larger or rotted dead.
I sit here recollecting budding twigs.
Clarence Wolfshohl has been active in the small press as writer and publisher for over fifty years, publishing poetry and non-fiction in many journals, both print and online, including New Texas, San Pedro River Review, Agave, Cape Rock, New Letters, and Texas Poetry Assignment. In 2025, he has published Play-Like (Alien Buddha Press) and the chapbook Scattering Ashes (El Grito del Lobo Press). Wolfshohl lives in the suburbs of Toledo, Missouri, with his cats.